Since lockdown began six (or is it seven?) millenia ago, I have begun to realise how reliant I am on the companionship of sound, and of classical music in particular.
I wake up to Russell Torrance and his gentle Scottish brogue on Classic FM, then move on to my late father’s classical music CD collection for the rest of my working-from-home day. Once meticulously filed in alphabetical order in his study, it’s now a jumbled pile in his old bedroom – my current retreat. I sift through it for old favourites – the B for Bach, H for Handel and M for Mozart sections were always heavily weighted on Dad’s shelves – and spend hours every day of this 21st century pandemic immersed in 18th century music.
I came across this sentence the other day while looking up material for my ‘gap year’ memoir. It was in an email I had sent to a friend in February 2015. I didn’t know it then, but it marked the start of my career as an occasional compiler of funeral music. Occasional as in ‘infrequent’. Funeral music is always ‘occasional’ in the other sense.