A quick look at the Notes app on my phone reveals all the usual stuff: outdated shopping lists, blog topics, ideas for Christmas presents, music for the Absolute Lizzie Funeral Selection Volume 2. (Just me? My children and I joke about the fact that at this rate, my wake is going to have to take place over a weekend. Could be kinda fun.)
Since lockdown began six (or is it seven?) millenia ago, I have begun to realise how reliant I am on the companionship of sound, and of classical music in particular.
I wake up to Russell Torrance and his gentle Scottish brogue on Classic FM, then move on to my late father’s classical music CD collection for the rest of my working-from-home day. Once meticulously filed in alphabetical order in his study, it’s now a jumbled pile in his old bedroom – my current retreat. I sift through it for old favourites – the B for Bach, H for Handel and M for Mozart sections were always heavily weighted on Dad’s shelves – and spend hours every day of this 21st century pandemic immersed in 18th century music.
Regular readers may have seen this story on various social media platforms but it is reproduced here in celebration of the new-look DIY Woman, becoming a grandmother and the light at the end of the lockdown tunnel.
Being a long distance grandmother has its compensations. Every morning since corona-lockdown, I’ve woken to images of my son and his young family managing their splendid self-isolation in northern NSW. There are five of them and they’re in this together: mother, father, toddler, newborn and Norman. (Norman is a greyhound but try convincing him.)
A recent invitation to join the Kindness Pandemic Facebook page brought to mind this story I wrote for The Age in 2009 shortly after the car crash that – in a strange way – was the catalyst for DIY Woman. I was determined to make the most of the life I had been spared to live. It was the inception of what started out as a guide to separation, divorce and living happily ever after, and grew into a blog for the Daring Intuitive Young@heart Woman I aspire to be. The type of woman (and occasional man) I write for. And that is you, dear reader. I hope you enjoy this story from The Age archives.
A few Saturday nights ago – a lifetime away – I had an epiphany.
I was in a form of self-imposed isolation due to a cold I had picked up from some visiting relatives. It was early on in the unfolding of the coronavirus catastrophe to come. According to the Nurse-On-Call, I didn’t tick any of the boxes that would have entitled me to coronavirus testing. So I was erring on the side of caution. And there was something seductive about cancelling all social engagements and staying in on a Saturday night. Especially with Hugh Grant for company. A Very British Scandal was showing on iview, so my pyjamas and I settled in for episode one.
This year would have marked the 65th anniversary of Eurovision.
Sixty-four years of big hair, wind machines and pyrotechnics up in smoke. For this year anyway – the year I made the decision to experience firsthand the highs, the lows, the costume reveals and the money notes. The year I sweated over three laptops simultaneously logged in to the second round of ticket sales and won and lost tickets in less than five heartbreaking minutes. And won again.
Current statistics tell us we can expect to live to an average age of 85: twenty years beyond what used to be called retirement age. For some, the prospect of filling in those extra decades is daunting. For others – the late bloomers – it’s an opportunity to achieve the goals they set out to reach before life got too busy or too messy.